COIN LEGEND BREAKDOWN
ANTONINUS PIUS
DENARIUS · AD 140–144 · ROME
Weight
3.33g
Metal
SILVER
Diameter
18mm
BMCRE
396
Reign
138–161 AD
O B V E R S E
ANTONINVS · AVG · PIVS · P · P · TR · P · COS · III ANTONINUS PIUS Obverse
ANTONINVS AVG PIVS
P P TR P COS III
"Antoninus Augustus Pius, Father of the Fatherland, Holder of Tribunician Power, Consul for the third time"
R E V E R S E
SECVRITAS · PVBLICA ANTONINUS PIUS Reverse
SECVRITAS
PVBLICA
"Public Security" — Securitas seated, embodying the stability and peace of the Antonine age.

Obverse Legend

ANTONINVS Antoninus — the emperor’s adopted name
AVG Augustus — “The Revered One”
PIVS Pius — “The Dutiful” — honorific granted by the Senate for his devotion to his adoptive father Hadrian
P P Pater Patriae — Father of the Fatherland
TR P Tribunicia Potestas — Holder of tribunician power
COS III Consul III — Consul for the third time

Obverse Image

Laureate head of Antoninus Pius facing right. The laurel wreath marks his imperial authority. His reign (AD 138–161) is remembered as one of the most peaceful and prosperous periods in Roman history.

Reverse Legend

SECVRITAS Securitas — the Roman personification of security and stability
PVBLICA Publica — “Public” or “of the People” — emphasizing that this security belonged to all Roman citizens

Reverse Image

Securitas seated left on a throne, holding a scepter. This personification represented the internal stability and freedom from anxiety that characterized the reign of Antoninus Pius — the height of the Pax Romana.

Historical Context

Antoninus Pius (AD 138–161) presided over what many historians consider the zenith of the Roman Empire. His 23-year reign was remarkable for its peace and stability — he never left Italy, and the empire faced no major wars or crises. The Securitas (Security) type on this coin perfectly captures the era: a personification of freedom from anxiety, reflecting Rome at its most confident. Antoninus earned the title "Pius" for his devotion to his adoptive father Hadrian. His reign was so uneventful that the historian Cassius Dio noted there was simply nothing dramatic to record — which, for Rome, was the highest possible praise.

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